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The courtyard of a Mallorcan finca in full celebration at night: a live band on a low stage, a dance floor washed in amber and long dinner tables with festoon lighting behind

Technical guide

Event Entertainment
Types

Twelve music and entertainment formats explained by the crew that rigs them: what each one asks for in channels, monitors, staging and decibels, and where in the night it actually works.

Updated August 2026 · 13 min read · FØNØY Sound

We have been doing event sound in Mallorca since 2014, and by now we have put microphones on more or less everything: cover bands at fincas out in the Pla, xeremiers at the gate of a possessió, flamenco on a wooden deck at a beach club, batucada troupes coming up a dirt track and karaoke in villas at three in the morning. The question clients usually open with is «what should we book?», and the honest answer is that it depends much less on musical taste than people think.

Every format is a technical decision before it is an artistic one. A five-piece band and a DJ occupy the same slot in the running order, but not the same budget, the same stage, the same decibels or the same get-in time. Choosing the wrong format for a particular venue is the most common reason an event gets complicated — not for lack of money, but because nobody asked in time how many kilowatts were available, how big the stage deck was or when the licence cuts the music off.

This guide covers the twelve formats that genuinely get booked on the island, with what each one demands behind the scenes. If you are still deciding where to hold the event, start with our guide to event venues in Mallorca; and if the format is settled and you want to see how it gets lit, the event lighting types guide is the natural sequel to this one.

In this guide

  1. 01 · Professional DJ
  2. 02 · Live cover band
  3. 03 · Solo singers and acoustic duos
  4. 04 · DJ with a live musician
  5. 05 · Tributes, orchestras and themed bands
  6. 06 · Jazz, swing and bossa for cocktails
  7. 07 · Ceremony music: strings, harp and gospel
  8. 08 · Mallorcan folk: ball de bot and xeremies
  9. 09 · Flamenco and Spanish shows
  10. 10 · Batucada, percussion and parades
  11. 11 · Karaoke
  12. 12 · Silent disco
  13. → Which format fits which moment
  14. → What each format demands from the crew
  15. → Frequently asked questions

01 — The default format

Professional DJ

A DJ working behind an unbranded booth on the stone terrace of a Mallorcan finca at night, with the dance floor lit in amber behind

It is the most booked format on the island and, technically, the most efficient: two players, a mixer, a PA with subs and a booth monitor. That covers a party of 200 people with a single engineer and two and a half hours of rigging. No other format has that ratio between what it takes up and what it delivers.

Its real advantage is not price, it is control. A DJ who can see the floor corrects in real time: if people are sitting down, they change direction; if the level is bothering the house next door, they drop three decibels and carry on. No live format has that room to manoeuvre, because a band cannot change repertoire mid-song or play quieter without falling apart.

When it makes sense

For the party section of practically any event: weddings, private villa parties, birthdays, corporate events and beach clubs. Also as background music during cocktails and dinner, at low level and with a different mindset.

What sits behind it

Booth, two players and a mixer, a two or three-way PA with subs, one booth monitor, a wireless microphone channel for toasts and speeches, and dance floor lighting control from the same position.

Mallorca tip

Outdoors, the booth needs a roof. Not for rain — which barely appears in summer — but for the pre-dawn dew, which condenses on the platters and screens and is perfectly capable of taking a rig out of service at two in the morning. And it has to face the floor: the moment the DJ ends up in a corner with no view of the crowd, they stop reading the room and the party becomes a playlist.

Our DJ service always includes sound, booth and dance floor lighting: professional DJ in Mallorca.

02 — The one with the most behind it

Live cover band

A five-piece cover band playing on an outdoor stage at a Mallorcan finca wedding, with warm amber front light and gold backlight

Four to six musicians playing recognisable songs. It is the format with the most emotional impact in the catalogue — people react differently to a real voice than to a recording — and also, by a distance, the one that drags the heaviest technical load. Worth knowing before deciding, because the musicians' fee is only part of the invoice.

Channels and desk

Between 16 and 24 channels for a standard line-up: miked drum kit (6–8), bass via DI, two guitars, keys in stereo, lead vocal and two or three backing vocals. That calls for a digital desk, not a four-input mixer.

Monitors

Four to six independent mixes, or in-ear systems. If the musicians cannot hear themselves the band drifts out of time, and you hear the problem in the room even when the front-of-house mix is right.

Stage and backline

A 6×4 metre deck as a minimum for a five-piece, with access to get the kit and amps up onto it. At a finca it almost always has to be built: uneven ground does not work.

Soundcheck

A long hour, with the site empty. This is the classic friction point with the event schedule.

Mallorca tip

The soundcheck collides head-on with the cocktail hour. If the band plays at 23:00 but checks at 19:00, the first guests are already having a drink in the garden and will hear the whole thing. The fix is to check before anyone arrives, around 17:00, which means the rig has to be up by mid-afternoon and coordinated with the caterers, who at that hour are occupying the same space. That is a conversation to have with the wedding planner weeks in advance, not on the day.

The other constraint is level. An unamplified acoustic drum kit is already above 100 dB at three metres and cannot be turned down: it is as loud as it is. At fincas with a limiter or close neighbours, that single fact either rules the format out or forces the stage into the most sheltered part of the plot.

For band formats and larger productions: sound and lighting for concerts and festivals.

03 — The best cocktail hour for the money

Solo singers and acoustic duos

A solo singer with an acoustic guitar performing at the welcome cocktail of a Mallorcan finca at golden hour, guests softly blurred behind

Voice and guitar, voice and piano, or a duo. It is the format with the best ratio between what it costs and how much it changes the feel of an event, because it works exactly when guests are arriving and deciding whether this is going to be a dinner or a party. A soft live set at the welcome does that job better than any playlist.

When it makes sense

Welcome, cocktail hour, civil ceremony and the early part of dinner. It is not a party format: a solo singer trying to fill a dance floor at one in the morning is a programming error, not a musician's.

What sits behind it

Two to four channels, a compact PA on stands, one or two monitors and fifteen minutes of line check. Real get-in under an hour, and it fits in a corner without a stage deck.

Mallorca tip

Outdoors and in daylight, acoustic music disappears. On an open terrace there are no walls returning sound and the voice dissolves into the conversation, so you have to reinforce considerably more than feels necessary indoors. And along the coast the afternoon wind puts breath noise into any condenser: for outdoor work we use dynamics or tight cardioids with a pop screen, however much the purist in the crew would prefer otherwise.

04 — The best upgrade on a DJ

DJ with a live musician

A saxophonist playing live next to a DJ booth on a Mallorcan terrace at night, with golden backlight and haze behind

A saxophone, a percussionist, a violin or a trumpet playing over the DJ set. On paper it looks like a garnish; in practice it is the addition that changes the feel of a dance floor most, because it introduces a human, visible element into a format that is static by nature. In the island's beach clubs it has been the standard for years.

When it makes sense

An ambitious cocktail hour, the move onto the dance floor, the first hour of the party and afternoon sessions on the coast. It works better in thirty to forty minute blocks spread through the night than played straight through.

What sits behind it

One or two extra channels with a wireless microphone — the sax player moves, and with a cable they do not — a monitor of their own and a clear mix reference. The DJ and the musician need to have agreed keys beforehand.

Mallorca tip

It is the highest-return upgrade there is on a DJ: little extra rigging, little extra budget and no level risk, because the instrument is amplified and can therefore be turned down. At events with a sound limiter it is one of the few live formats that survives the decibel control without an argument.

05 — The one to book earliest

Tributes, orchestras and themed bands

A tribute band in period stage costume performing on an outdoor stage in Mallorca, with amber beams cutting through haze from an overhead truss

Tributes to a specific act, eighties and nineties line-ups, verbena orchestras and bands with their own staging. Technically they are a live band with two differences: they almost always arrive with a fixed rider that has to be honoured, and they expect a lighting design to match. This is not a format to improvise.

Rider in writing

Ask for it three weeks out, minimum. The rider defines channels, monitors, whether backline is supplied or hired, power and timings. If it lands the day before, somebody is going to rig too much or too little.

Lighting

A tribute act without show lighting only half lands. It usually calls for truss, moving heads and haze, which pushes both the get-in and the power draw well above that of a cover band.

Duration and sets

Normally two sets of 45 to 60 minutes with a break, and the DJ covering the gap. That handover has to be planned: if the DJ starts cold, the floor empties during the break and it is hard to win back.

Mallorca tip

In July and August tributes and orchestras are the scarcest resource on the island, because they compete with the village fiestas of August and the wedding season at the same time. A Saturday in August needs locking in six to nine months ahead. If the date is already close and the specific act is unavailable, it is almost always better to change format than to accept a line-up nobody has seen play.

06 — The one that carries the conversation

Jazz, swing and bossa for cocktails

A jazz trio with double bass, guitar and vocalist playing under an amber-lit stone arch during the cocktail hour at a Mallorcan finca

A trio or quartet playing classic jazz, swing and bossa nova. Its job is not to be listened to: it is to let people talk comfortably with music behind them. Done well it is the most elegant thing you can put on during dinner, and the most noticeable when done badly, because jazz that is too loud forces every table to raise its voice at once.

When it makes sense

Welcome cocktails, wedding dinners, corporate receptions, product launches and galas. Any moment where the conversation is the event and the music is the frame around it.

What sits behind it

Six to ten channels. The double bass needs a DI and a microphone together to sound right, the voice wants a condenser if the environment allows, and the whole thing runs at a level far below any other format.

Mallorca tip

Mallorcan stone courtyards are highly reverberant: marés sandstone and tall walls return sound for considerably longer than people consciously notice. Jazz benefits — it gains body — but it destroys the intelligibility of sung vocals and speeches. The answer is not more volume but distribution: several small points at low level around the courtyard sound far better than two big boxes from one end.

07 — The part you cannot redo

Ceremony music: strings, harp and gospel

A string quartet playing during an outdoor wedding ceremony in a Mallorcan olive grove at golden hour, with wooden chairs and guests seen from behind

A string quartet, a harp, a violin and cello duo, or a gospel choir. This is where the difference between having hired an engineer and not having done so shows most brutally, for a simple reason: the ceremony lasts twenty minutes, happens once, and there is no second take.

The problems are always the same three. The audience sits very close to the musicians, so reinforcement has to be minimal and very precise. String instruments are low in level and wide in dynamic range, which demands well-placed condensers and carefully worked gain. And the ceremony usually falls at the windiest hour of the day on any terrace or clifftop on the island.

When it makes sense

Civil and religious ceremonies, the entrance, the signing, the exit. Also the cocktail hour straight afterwards, running on without cutting the music while guests move across.

What sits behind it

Four to eight condenser channels, a discreet and distributed PA — never two big boxes facing the guests — and the same system covering the ceremony PA: a lapel mic for the officiant and a handheld for the readings.

Mallorca tip

In an olive grove or on a terrace with a view, the afternoon wind is the real enemy, not the volume. A violin on a condenser in open air with fifteen kilometres an hour of breeze sounds like blowing. It is solved with dense foam windshields, angling the capsules downwind and accepting mic positions closer than would be acoustically ideal. And it has to be tested at the same time of day, not in the morning.

Ceremony music is part of our wedding production in Mallorca.

08 — The card only this island holds

Mallorcan folk: ball de bot and xeremies

A Mallorcan folk group in traditional dress dancing ball de bot in the courtyard of a stone possessió at dusk, with a xeremier playing alongside

Ball de bot — the traditional Mallorcan dance — accompanied by xeremiers: xeremia bagpipes, flabiol and tamborino. It is the island's differentiating format and the one that works best with international guests, most of whom have never seen it. For a German, British or Scandinavian client, twenty minutes of a colla in a stone courtyard is worth more than an hour of cover band.

Minimal reinforcement, or none

The xeremia is a very loud acoustic instrument, designed to be played outdoors without amplification. In a courtyard or garden it needs no PA at all. If the space is large or the sound has to travel, reinforce with wireless instrument mics, never with mics on stands.

Solid ground

Ball de bot is danced, and it is not danced on gravel or uneven grass. You need a paved, tiled or decked area. This is the requirement most often forgotten at the planning stage.

Keep it short

Twenty to twenty-five minutes. It is a moment format, not a long set: past that point the surprise wears off and the audience drifts.

Mallorca tip

The two slots where it fits best are the guests' arrival — being met by xeremiers at the gate of a finca is a hard opening to beat — and the end of dinner, as the transition into the party. What does not work is dropping it into the middle of the dance floor: it breaks the energy rather than adding to it, because it asks for attention and quiet exactly when the night is going the other way.

09 — The one that needs a deck

Flamenco and Spanish shows

A flamenco dancer mid-turn on a wooden deck at a Mallorcan finca at night, with a guitarist and palmero seated behind under an amber spotlight

A flamenco cuadro: dancer, guitar, cante and palmas. It is one of the most requested formats among international clients celebrating in Mallorca, and also one most often spoiled by a production detail nobody considers until it is too late: the floor.

Zapateado needs a wooden deck that resonates. On grass, gravel or bare stone there is no percussion, and without foot percussion flamenco loses half of what it is. A three by two metre deck with an air cavity underneath is the minimum, and it gets miked with a pair of floor microphones so the footwork reaches the mix.

When it makes sense

Wedding dinners with foreign guests, corporate incentives, themed parties and events looking for a recognisably Spanish moment. Blocks of twenty-five to forty minutes.

What sits behind it

A wooden deck, two floor mics, a guitar mic plus DI, one or two vocal mics and two monitors. The cuadro needs to hear each other very precisely: compás does not forgive a weak monitor mix.

Mallorca tip

Watch the level at fincas with a decibel limit. A limiter patched into the mix does not register footwork properly — a good part of it travels through the floor as vibration rather than through the air — but the neighbour does notice it. On plots that back onto another house it is worth moving the deck away from the boundary and, if the event has a cut-off time, programming the cuadro comfortably before it.

10 — Maximum impact, zero channels

Batucada, percussion and parades

A batucada troupe with surdos and snares entering the courtyard of a Mallorcan finca at night, guests around them and amber light on the haze

Six to twelve percussionists coming in on the move. It is the least technically demanding format in this guide and one of the highest impact: no channels, no monitors, no PA, no soundcheck. It arrives, it plays, it leaves. From a production standpoint it is almost a gift.

In exchange it has one limitation that cannot be negotiated: level. A ten-piece batucada sits between 105 and 110 dB at close range and there is no way to bring it down. There is no fader. Indoors it is simply unworkable — a batucada inside a function room is aggressive and everyone leaves — and outdoors you have to weigh the distance to the nearest houses.

When it makes sense

Guests arriving, the parade from dinner to the dance floor, the couple's exit and outdoor brand activations. Always moving, always short: ten to fifteen minutes.

What has to be sorted

The route and the ground they will walk on, and little else. The path should be lit — the functional lighting we cover in the lighting guide — and the rest of the music should be stopped while it happens.

Mallorca tip

It is the best tool there is for the dinner-to-party transition, which is the point where most events sag: people have been seated for two hours and need lifting. A batucada coming in between the tables and heading out towards the dance floor pulls ninety per cent of the guests with it without anyone having to announce anything over a microphone. In Palma and along the seafront, though, check the municipal by-law first: there are areas where a night-time parade is not permitted.

11 — The most underrated

Karaoke

Two guests singing together on wireless microphones at a private party on a Mallorcan villa terrace at night, amber light and friends around them

It gets booked rarely and works far better than its reputation suggests, particularly at private parties, birthdays and company dinners. Its virtue is that it turns the guests into the show, which is exactly what a group that already knows each other needs after a certain hour. At formal weddings it fits less well, unless specifically asked for.

Wireless mics, no exceptions

Cabled does not work: people move, pass the mic around, pull on the cable and end up on the floor. Two to four handheld wireless units on coordinated frequencies, with spare batteries on the table.

A compressor on the vocal

Somebody is going to shout. Without compression and limiting on that channel, the shout saturates the mix and sounds like distortion. It is the difference between a karaoke that sounds good and one that sounds like a school disco.

A screen with real brightness

The lyrics have to be readable. A domestic television on a terrace is invisible until well after dark, and sometimes not even then.

Mallorca tip

Outdoors the screen is the problem, not the sound. Mallorcan summer twilight runs past ten o'clock, so a karaoke starting at eleven in a garden works fine; one that wants to start at nine needs a high-brightness screen or a sheltered, shaded corner. We check it on the site visit every time, because it is the failure we have seen ruin an otherwise simple format most often.

It is a regular fixture at private parties in Mallorcan villas and fincas.

12 — The answer to the cut-off time

Silent disco

A silent disco on the terrace of a Mallorcan beach club at night: guests dancing in wireless headphones glowing amber, dark sea behind

Wireless headphones with two or three simultaneous channels, each with its own DJ or style, and the guest chooses. It began as a festival curiosity and in Mallorca it has become something considerably more useful: it is the only real way to carry on after the cut-off time set by the venue licence.

The figure that explains it all: the ambient level of a hundred-person silent disco is roughly that of a conversation. There is no sound pressure heading outwards, no bass travelling through the ground to the house next door and nothing for a limiter to register. A finca that cuts amplified music at one can have people dancing until four without breaking anything.

When it makes sense

Wedding afters, terraces in residential areas, hotels with neighbours, beach clubs with strict hours and any venue with a sound limiter. Also as a second floor running alongside the main one.

What has to be sorted

Transmitters, sixty to a hundred and fifty headsets depending on numbers, and above all logistics: handing them out, collecting them at the end — some always go missing — and batteries charged and checked before the event, not during it.

Mallorca tip

It is the format that has rescued the second half of more finca weddings on this island than any other. It is worth planning from the start rather than as a plan B at half past midnight, because handing headsets to a hundred tired guests with drinks in hand takes time and is best done in an orderly way, with two people from the crew doing nothing else.

The decision

Which format fits which moment

The music at an event is not one decision, it is three: welcome, dinner and party run on different logic. This is the combination we start every proposal from.

Finca wedding

Cocktails: acoustic soloist, ceremony strings

Dinner: jazz or bossa, folk to close

Party: DJ + sax, cover band, silent disco

Private villa party

Cocktails: low-level DJ, soloist

Dinner: DJ, jazz if formal

Party: DJ + percussion, karaoke, silent disco

Corporate event

Cocktails: jazz, folk welcome

Dinner: string quartet, jazz trio

Party: DJ + sax, tribute, flamenco

Concert or festival

Opening: DJ, batucada entrance

Programme: live bands, tributes, closing DJ

Birthday or anniversary

Start: chill DJ, surprise batucada

Party: DJ, karaoke, flamenco or show

Three formats per event works well · five almost never does

What nobody asks in time

What each format demands from the crew

When a quote request comes in, the first thing we look at is not what the music is, but how many inputs it needs, how long it takes to rig and how much noise it makes. These four parameters decide the entire budget, and they are the ones worth being clear on before signing with anybody.

Desk channels

A DJ needs two or three. A soloist, four. A jazz trio, six to ten. A full band, sixteen to twenty-four. The jump from ten to sixteen channels is the one that forces a change of desk, of cabling and usually of crew size: that is where the sound budget moves up a step.

Get-in and soundcheck

DJ: two and a half hours. Acoustic formats: under an hour on top of an existing rig. Band or tribute: half a day of rigging plus an hour of soundcheck with the site empty. That last figure is the one to cross-check against the catering schedule and the guests' arrival time.

Stage, deck and floor

Five-piece band: 6×4 metres minimum. Flamenco cuadro: a wooden deck with an air cavity, non-negotiable. Ball de bot: firm, level ground. DJ and acoustic formats: any level corner. At a finca almost all of this has to be built, and building it costs time and money that is rarely in the first budget.

Level and noise limits

This is the real dividing line. Amplified formats — DJ, soloist, jazz, live sax, karaoke — can be turned down. Loud acoustic ones — drum kit, batucada, footwork — cannot. At a venue with a sound limiter or a licensed cut-off time, that difference decides what can be booked and what cannot, and it is a question for the venue before the music is reserved.

The specific constraints of each type of space on the island — available power, load-in access, noise regulations and hours — are set out in our guide to event venues in Mallorca.

Our angle

The format gets decided with the engineer, not after

The usual order is this: the venue is booked, the caterer is booked, the music is hired and then, at the end, somebody is called in to «do the sound». When we arrive at that point, most of the important decisions are already made and our job becomes fitting the unfittable: a six-piece band on a terrace with no access to get backline up, a flamenco cuadro on a lawn, a batucada two hundred metres from an occupied house.

What we propose is swapping two of those steps. As soon as there is a venue and a date, half an hour of technical conversation settles which formats are viable there and which will cause trouble: how much power there is, where a deck fits, where the load-in happens, when the licence cuts off and what can be heard from the neighbouring finca. With that on the table, the artistic choice is made on real ground and there are no surprises three weeks out.

It is how we have worked since 2014 across all our sound and lighting equipment rental and full technical production: one point of contact for sound, light and coordination with whichever act is booked, and a site visit before anything is closed.

Frequently asked questions

About event music and entertainment

Which entertainment format should I choose for my wedding in Mallorca?
The combination that works best at a finca has three blocks: something acoustic and low in volume for the welcome and cocktail hour (a solo singer with guitar, a duo or a jazz trio), background music or a string quartet during dinner, and a DJ for the party. If there is budget for a fourth element, the one people notice most is a live musician playing over the DJ set — saxophone or percussion — during the first hour on the dance floor. A full cover band is an alternative to the DJ, not an addition: it occupies the same slot in the night and takes considerably more rigging.
How much more does a live band cost than a DJ?
The real difference is not only the musicians' fee. A five-piece band adds a 16 to 24 channel digital desk, four to six monitor mixes, backline, a stage deck, an hour of soundcheck and usually a second engineer. In practice the technical block for a band is two to three times that of a DJ. That is why the format should be decided before the sound budget is closed, not after: switching from DJ to band three weeks out reopens the entire quote.
How many different formats fit into one event?
Three works well, four is the sensible maximum and five almost always goes wrong. Every format adds a stage changeover, a soundcheck and a risk of running late, and changeovers eat the event. When a client wants five acts, what we usually propose is cutting back to three and making each one longer: a well-placed twenty-minute batucada parade is remembered far more than five ten-minute slots that leave the night chopped into pieces.
How do the noise limits at Mallorcan fincas affect the format?
A great deal — it is the factor that rules out the most formats. An event with a sound limiter, or with a cut-off time set by the venue licence, copes badly with an acoustic drum kit or a batucada, because those are sources you cannot turn down: they are as loud as they are. In those cases a DJ, amplified acoustic formats and a silent disco are the options that keep the party inside what is permitted. Ask the venue that question before booking the music, not afterwards.
Do I need a sound engineer if I hire a band?
Yes. A band arriving with its own rehearsal gear can work in a bar, but at an event someone has to handle monitors, the front-of-house mix, level control and coordination with the other suppliers. Without an engineer the usual outcome is that the vocals are unintelligible, the musicians cannot hear each other and the level creeps up on its own during the set. We include an on-site engineer with any format above four channels.
How far in advance should music be booked in Mallorca?
For July and August, six to nine months. Cover bands, tribute acts and orchestras are the island's real bottleneck in summer, because they compete with the August village fiestas and the wedding season at the same time. A DJ and acoustic formats have more slack, but a Saturday in July still gets booked months ahead. What can almost never be improvised is a named act.

Keep reading

A complete professional sound rig on the courtyard of a Mallorcan finca at dusk, with two stacks flanking a stage and a digital console at the control position

Sound equipment

Event sound equipment

The whole chain piece by piece: PA, subwoofers, amplification, processing, consoles, microphones, monitors and riders.
Cobbled courtyard of a Mallorcan finca at dusk with two sound stacks flanking a wooden stage

Outdoor sound

Sound for outdoor events

Why it sounds different outside, subwoofers and neighbours, generators, wind and the noise limits in the Balearics.
The terrace of a Mallorcan finca set up for an event at sunset, with tables laid and views towards the mountains

Venues

Event venues in Mallorca

Fincas, hotels, beach clubs and wineries, with what has to be solved technically at each one.
A Mallorcan finca lit at night with warm uplighting on the stone walls and LED fixtures over the dance floor

Lighting

Event lighting types

Twelve types of light with what each one does well, what it does badly and what it takes to rig.
Mid-afternoon build at a Mallorcan possessio courtyard, with crew lifting a line array module onto a tower, open flight cases on the gravel and cables run under cable ramps

Production & setup

Event production and setup

The six phases of a build, schedules, plans, power, safety and supplier coordination.

Request a quote

Music and entertainment quote

Tell us the date, the venue and how many people. We will send you a proposal in under 24 hours — and if the format is still open, we will tell you which one fits your event and what it takes to rig it.

WhatsApp

+34 600 073 515

Phone

+34 600 073 515

Email

fonoysound@gmail.com

Full production

Our services in Mallorca

Weddings

Sound and lighting for ceremony, cocktail hour, dinner and party. Technician included.

Private parties

DJ gear, LED lighting and subs for your villa or finca party.

Corporate events

Wireless microphones, PA and technical production for conferences and galas.

Concerts & festivals

Line array, moving heads and full production for concerts.

DJ Mallorca

Professional DJ with sound and lighting included. 10+ years on the island.

Equipment rental

Full catalogue of sound, lighting and structures.

Technical production

Design, rigging and full operation of sound and lighting.

Guides

Technical articles on sound, lighting and event venues in Mallorca.